![]() ![]() It’s important to note that adjusting the exposure is an intense adjustment that damages the data in individual pixels in the image, so if possible, rely on the highlights / shadows sliders for a more subtle, individual adjustment to either light or dark areas, respectively. ![]() ![]() If your entire image is too dark or too bright, you can adjust the “Exposure” slider very slightly (under 1.00 in most cases) only if necessary. It may take a couple of clicks to find true neutral. Make sure “Color” is selected next to “Treatment”Ĭlick the White Balance Dropper Tool underneath “Treatment”, then click part of the image that is supposed to be neutral - white, grey, or black - to correct the temperature and tint. It is always better to take 20 photos of one piece at various angles than taking 2 photos, only to find out after you’ve started editing that you need to go back and take more because of positioning or focus. Since we can’t change the focus and angle later on, it’s important to zoom in and review the images you are taking every so often to make sure you have what you need and that it looks crisp. For example, a functional pot is typically photographed in such a way that both the front and back lip of the piece are in focus, and captures a portion of the interior below the back rim of the pot. ![]() Those are two things that we can not edit during post-production. The most important things to remember when you are taking your photos, are that the pieces are in focus and taken at the angle you desire. Protip: In addition to using a tripod, I also like to set my camera on a short self-timer so that no movement from my hands (either holding the camera or pushing the button) jostles the camera as the photo is taken. You can save the edited versions as JPGs later. JPG images become easily damaged during the editing process leading to graininess or pixelation, which is why I recommend only editing RAW files. This format creates larger files with more information, making them better suited for the fine-tuned editing of high resolution photos. While a phone camera works in a pinch, I highly recommend you invest in a digital camera, as this will allow you to shoot in RAW format. This is not an introduction into how to use your digital camera, although much information exists online for specific models and I encourage you to familiarize yourself with your equipment and shooting in manual mode as best as you can before diving in. Learning to edit your photographs is critical because it is the best way to ensure the image is as close to the real object as possible, down to minute details.įor this tutorial, I will be focusing on portfolio photography suited for juried applications which are typically photographed with white or graduated backgrounds to showcase the work in a straightforward way. By documenting your work, the experience will help you think about the way that you create objects and the way that they communicate as an image. Additionally, when your audience or a juror is unable to physically engage with your work, you will need to consider how to engage them with your photography. Money aside, exploring your potential as the photographer of your work will allow you to develop control over composing and marketing your own brand or portfolio, and allow you to work on your own timeline. There also may be times when you need to photograph a piece ASAP for a fast approaching deadline, or when you realize one particular shot needs to be retaken and edited, and that hiring someone on short notice or for a small project is not worth the cost. Why go through the trouble of learning photography and editing skills? It may seem easier to outsource your photography needs by hiring a professional, but costs can add up quickly, especially for those who generate a lot of work. ![]()
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